I love it when two old bitches go at it - and all the better when they’re two old bitches who used to work together and now are forced to spend 30 weeks with each other on the road!
Joan Collins and Linda “Lips” Evans starred together in a tour of the play “Legends.” What follows are the juiciest bits of Joan’s recollections of her time with Linda Evans, her co-star on the 80’s TV flick “Dynasty.”
Autumn 2005
I’m not thrilled when Ben suggests Linda Evans to play Leatrice. We starred together for nine years in the TV series Dynasty - she played saintly Krystal and I played bitchy Alexis.
However, I’m convinced she’s always disliked me, since she rarely spoke to me on set. Ben tells me that he’s talked to Linda and “she’s (pause) fond of you”.
“I don’t believe her,” I say. “She needs the work, and for God’s sake, she’s never been on stage at all - and she wasn’t even that good on TV!”
Late August 2006:
New York: Linda arrives at first rehearsal with cosmetic-surgery tape over and under her eyelids and underneath her chin. Naturally, the cast all pretend to ignore this, but it’s obvious she’s come straight from either the face-lift shop or a car crash.
She also has the weirdest collagen-enhanced lips I’ve ever seen. In fact, she epitomises the expression ‘trout pout’, with those huge lips that make her look like a gargoyle when she smiles. It’s quite off-putting to have to look at that face, which used to be so pretty, and pretend not to notice.
Everyone who sees Linda is shocked by how she’s spoiled her looks.
As time wears on, Linda gets better and grows in confidence - although her acting coach tells me: “Her body language is not good and she has very little stage presence.”
September 2006: Toronto - first preview
Once we’re into technical rehearsals, Linda starts pulling herself together and her confidence balloons. Unfortunately, what tends to happen when an unseasoned actor feels comfortable on stage is that they get carried away and lose control.
Unfortunately, her confidence has grown so much that she gives me an almighty shove that sends me flying on to my knees. The thud is so resounding that I hear the audience gasp in sympathy.
(For the next six weeks, I need therapy on my left knee for the bursitis and pain caused by the impact of my whole weight falling on it.)
I note that Linda hasn’t even asked if I’m OK - it’s as if nothing has happened.
More complications: we have to restage the fight scene to cut down on all the running around in order not to aggravate my injury. Then, on the second night, Linda suddenly throws my wig at me with the accuracy of a sniper - I have to duck to prevent it from striking me in the face.
September 14
Linda scrapes a spoon across my chin on stage while I’m speaking. This really p***es me off. You never invade another actor’s space.
October 5
My agent, Peter Charlesworth, sees the show.
Backstage, Linda comes over to him and says: “Are you Joan’s agent? I must meet Joan’s agent!”
Peter replies: “That’s me.”
“Well,” Linda says, “you must have a strong constitution!”
I can’t give Linda points for original wit, since she was quoting a line from the play, but she gets full marks for bitchiness - which she usually keeps well under wraps. I always suspected she was a “closet bitch”.
October 15
The reviews come out. The critics loathe the script and the direction: “ham-handed, limp direction,” “mothballed script” and so on. And they’re right.
How am I going to endure another 25 weeks of this? God give me strength.
October: A few days after the opening
My finger is in agony because Linda kicked it last night.
When I pushed her on to the sofa, her “wicked-witch-of-the-west” pointy boots shot up and smashed into my right hand.
It was just a matter of time. Her enormous feet have hit me in the elbow once before, and they caught my wrist the previous week - but I’ve just suffered in silence.
When a reporter asks her about my bandaged hand a few days later, Linda sniffs: “Well, we didn’t have to call the paramedics.”
October 24: Philadelphia
Linda and I are barely speaking.
I still can’t believe she’s never apologised for almost breaking my finger.
October 30
What’s going on?
I feel tremendous negative vibes, yet I have the hardest role - on stage most of the time and with many more lines than anyone.
November 2
She has no conception that this kind of activity might be difficult for others, so she treats me with contempt because I refuse to get physical with her.
She’s always talking about “motivation” and the “objective of the scene” - as if she’s Dame Edith Evans and the play is Tolstoy.
Tonight, she tries to upstage me by mugging (making faces) during my big speech! Unbelievable.
November 15: East Lansing, Michigan
What a dump! Freezing cold - so, of course, I get sick.
The doctor says I’m suffering from a viral infection, probably brought about by utter exhaustion and stress. Frankly, I feel Ben Sprecher has contributed to this.
Why doesn’t he let some steam off on Dame Edith, with her endless pauses, slow delivery and tiny little voice that no one can hear?
November 24: Washington DC
Dame Edith decides to put in an extra line at the end of the play - without telling anyone!
Not only that, but this time Linda even speaks over my last line. When I come off stage, I call to her but she ignores me.
So I yell: “Linda, you can’t say an unscripted line before curtain without telling anybody.”
She has the gall to respond: “Well, you’re putting lines in all the time.”
“That is not true,” I say - then we have a contretemps in front of the entire company.
When I say: “I think we should sort this out now,” she replies: “I’ve got better things to do,” and stalks off.
As she goes, I say: ‘” don’t think that’s very professional.”
She screws her head around - like Linda Blair in The Exorcist - and a demonic croak comes out of her mouth: “Well, you’re unprofessional!”
She obviously hates me and is jealous of my happiness with Percy.
At the following week’s press conference, I’m asked for the umpteenth time: “What’s the difference between you and Linda?”
This time, I chirp: “I have three lovely houses in London, New York and the south of France, I’m happily married to a great guy, I have three wonderful children and three gorgeous grandkids; Linda lives in Seattle with lots of horses.”
Bitchy, perhaps, but true.
November 26
After a couple of tense days on stage (I can’t bear to look at that plastic face), I find I suddenly can’t remember the word “ruthless” in one of my speeches - so I pull the word “devious” out of thin air and continue with my line.
anuary 26: Los Angeles
Two weeks of relative peace until the director and stage manager summon me to Linda’s dressing-room because I’m apparently p***ing her off again.
I’ve discovered a funny piece of slapstick (I careen into the mantelpiece, slowly slide down on to a stool and then fall off it) which has been seen by everyone over the last two weeks. No one’s complained - on the contrary, I’ve received a lot of laughter and praise for it.
But Linda’s been silently fuming because, again, it “cuts into her moment”.
February 11: Denver, Colorado
It’s a good thing I’m extremely resilient. Nevertheless, I’m finding it a massive chore even to look at Linda’s face and hear her deliver her lines over and over again in the same monotonous way.
May 1: Raleigh, North Carolina
A few days before closing night, ‘Lips’ Evans tries some of her onstage antics again. She’s started mimicking my gestures - I suspect she thinks it’s naturalistic acting. If I put my hands behind my head, she does. If I stand up, she does. If I sit down, she does. It’s like some bizarre game of Simon Says. Perhaps she’s finally trying to vary things, poor dear.
New York: May 10 - four days after closing
The fourth finger on my right hand is so swollen and painful that I haven’t worn a ring on it for six months. An eminent specialist tells me I’ve developed a huge cyst - right where Linda kicked me. There’s only one thing for it: a steroid injection right into the knuckle.
This is the most painful thing I’ve ever experienced. In front of the doctor, Percy, three internists and one nurse, I let out a God-awful shriek that probably reverberates across the hallowed halls and makes the ECG machines jump off their marks.
The south of France: This week
Until the final weeks, Ben was asking me to reconsider my refusal to go to Broadway with Legends. But there’s no way I could work with Lips Evans again.
Thank God it’s over!